Working across sculpture and photography, Charlotte Vander Borght focuses on the materiality of industry and architecture. Her practice examines how design is inseparable from ideology—embedded in the furniture that surrounds us as well as in the architectural structures we inhabit. For her first solo exhibition at Galerie Baronian, Vander Borght selected subjects directly linked to forms of utopian thinking, such as the promise embodied by public transportation systems. Her recent work undergoes a similarly grotesque transformation, merging the industrial and the organic, and destabilizing familiar forms through processes of distortion and hybridity.